Canon C100 VS Canon c100 Mark II

Canon C100 Mark II	Canon C100
Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)	Super 35mm CMOS (24.6 x 13.8 mm) (28.2 mm diagonal)	Sensor
Approx. 9.84 megapixels (4206 x 2340)	Approx. 9.84 megapixels (4206 x 2340)	Total Pixels
Approx. 8.29 megapixels (3840 x 2160 pixels)	Approx. 8.29 megapixels (3840 x 2160 pixels)	Effective Pixels
DIGIC DV 4	DIGIC DV III	Processor
RGB Primary Color Filter (Bayer Array)	RGB Primary Color Filter (Bayer Array)	Color Filter
Canon EF mount with EF contacts	Canon EF mount with EF contacts	Lens Mount
Clear, 2 stops (1/4), 4 stops (1/16), 6 stops (1/64)	Clear, 2 stops (1/4), 4 stops (1/16), 6 stops (1/64)	ND Filters
Manual setting in 1/2-step increments, 1/3-step increments, or fine	Manual setting in 1/2-step increments, 1/3-step increments, or fine	Iris Dial
Push auto iris control	Push auto iris control
On supported Canon EF, EF-S, and Cinema lenses	On supported Canon EF, EF-S, and Cinema lenses	Peripheral Illumination Correction
Manual	Manual	Exposure Modes
Push Auto Iris Control (metering system selection/AE shift possible)	Push Auto Iris Control (metering system selection/AE shift possible)
Standard Center Weighted, Spotlight, Backlight	Standard Center Weighted, Spotlight, Backlight	Metering Modes
Normal: -6 to 30 dB TBD	Normal: -6 to 30 dB TBD	Gain
Fine: 0 to 24 dB, in 0.5 dB increments	Fine: 0 to 24 dB, in 0.5 dB increments
320 to 102,400 in 1/3-step increments	320 to 80,000 in 1/3-step increments	ISO Range
OFF, ISO Speed, Shutter Angle, Slow Shutter, or Clear Scan	OFF, ISO Speed, Shutter Angle, Slow Shutter, or Clear Scan	Shutter Modes
Speed setting can be set in 1/2 or 1/3 stop increments	Speed setting can be set in 1/2 or 1/3 stop increments
59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz	59.94i: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 to 250.27 Hz	Shutter Speed Range
PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz	PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8; CS: 29.97 to 250.27 Hz
23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz	23.98p/PF24: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 to 250.27 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz	50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 to 250.78 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz	PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 to 250.78 Hz
		Shutter Angle Settings
PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25	PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25	23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25	50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25	PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
Manual	Manual	Auto focus Settings
One-Shot AF	One-Shot AF
Continuous AF	AF is dependent on interchangeable lenses
AF is dependent on interchangeable lenses	Dual Pixel CMOS AF with Canon EF, EF-S, and Cinema lenses	Autof ocus
Dual Pixel CMOS AF with Canon EF, EF-S, and Cinema lenses
NTSC and PAL	NTSC and PAL	Signal System
Compression: MPEG-4, AVC/H.264, MP4	Compression: MPEG-4, AVC/H.264	Recording Format
Maximum bit rate: AVCHD 28Mb/s, MP4 35Mb/s	Maximum bit rate: 24 Mbps
AVCHD	Color Space: 4:2:0 to SD card, 4:2:2 via uncompressed HDMI out	Frame Rates
1920 x 1080p: 59.94. 50, 23.98	HD to SD Conversion Format: MPEG-2; 9 Mbps
1920 x 1080i: 59.94, 50	24 Mbps LPCM: 1920 x 1080 at 60i, PF30, PF24, 24p, 50i, PF25
1920 x 1080PF: 29.97, 25	24 Mbps: 1920 x 1080 at 60i, PF30, PF24, 24p, 50i, PF25
MP4	17 Mbps: 1920 x 1080 at 60i, PF30, PF24, 24p, 50i, PF25
1920 x 1080p: 59.94, 50, 29.97, 25, 23.98	7 Mbps: 1440 x 1080 at 60i, PF30, PF24, 24p, 50i, PF25
1280 x 720p: 29.97, 25, 23.98
640 x 360p: 29.97, 25, 23.98
28 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz	24 Mbps mode: Linear PCM; 2-Channel; 16-Bit; 48 kHz	Audio Record Mode
24 Mb/s: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All other modes: Dolby Digital AC3	All other modes: Dolby Digital AC3
Monaural microphone in camera body		Built-In Microphone
Stereo microphone in Handle Unit	Stereo microphone built in to top handle
2 x XLR on top handle (Auto and Manual level settings)	2 x XLR on top handle (Auto and Manual level settings)	Audio Inputs
1 x 3.5 mm terminal	1 x 3.5 mm terminal
-12, -6, 0, +6, or +12 dB	-12, -6, 0, +6, or +12 dB	XLR Mic Trimming
Available	Available	Limiter
Infinity to +18 dB, Automatic	Infinity to +18 dB, Automatic	Audio Level Control
Separate controls for internal and externally connected microphones	Separate controls for internal and externally connected microphones
+48 V	+48 V	Phantom Power
16 Settings; volume is muted at lowest setting	16 Settings; volume is muted at lowest setting	Headphone Output Level
Yes; 16 level settings	Yes; 16 level settings	Built-in Speaker
1 KHz tone available; -12, -18, or -20 dB	1 KHz tone available; -12, -18, or -20 dB	Tone
2 x SD/SDHC/SDXC card slots	2 x SD/SDHC/SDXC card slots	Recording Media
File system: FAT 32	File system: FAT 32
AVCHD	2GB SD Memory Card	Maximum Recording Time
8GB SD Memory Card	24 Mbps 1920 x 1080: 10 minutes
28 Mb/s 1920 x 1080: 35 minutes	17 Mbps 1920 x 1080: 15 minutes
24 Mb/s 1920 x 1080: 40 minutes	7 Mbps 1440 x 1080: 35 minutes
17 Mb/s 1920 x 1080: 1 hour	4GB SD Memory Card
7 Mb/s 1440 x 1080: 2 hours 20 minutes	24 Mbps 1920 x 1080: 20 minutes
	17 Mbps 1920 x 1080: 30 minutes
16GB SD Memory Card	7 Mbps 1440 x 1080: 1 hours 10 minutes
28 Mb/s 1920 x 1080: 1 hour 15 minutes	6GB SD Memory Card
24 Mb/s 1920 x 1080: 1 hour 25 minutes	24 Mbps 1920 x 1080: 30 minutes
17 Mb/s 1920 x 1080: 2 hours 5 minutes	17 Mbps 1920 x 1080: 45 minutes
7 Mb/s 1440 x 1080: 4 hours 45 minutes	7 Mbps 1440 x 1080: 1 hour 45 minutes
	8GB SD Memory Card
32GB SD Memory Card	24 Mbps 1920 x 1080: 40 minutes
28 Mb/s 1920 x 1080: 2 hours 30 minutes 24 Mb/s 1920 x 1080: 2 hours 55 minutes	17 Mbps 1920 x 1080: 1 hour
17 Mb/s 1920 x 1080: 4 hours 10 minutes	7 Mbps 1440 x 1080: 2 hours 20 minutes
7 Mb/s 1440 x 1080: 9 hours 35 minutes	12GB SD Memory Card
64GB SD Memory Card	24 Mbps 1920 x 1080: 1 hour 5 minutes
28 Mb/s 1920 x 1080: 5 hours 24 Mb/s 1920 x 1080: 5 hours 55 minutes	17 Mbps 1920 x 1080: 1 hour 30 minutes
17 Mb/s 1920 x 1080: 8 hours 20 minutes	7 Mbps 1440 x 1080: 3 hours 35 minutes
7 Mb/s 1440 x 1080: 19 hours 10 minutes	16GB SD Memory Card
	24 Mbps 1920 x 1080: 1 hour 25 minutes
128GB SD Memory Card	17 Mbps 1920 x 1080: 2 hours 5 minutes
28 Mb/s 1920 x 1080: 10 hours 10 minutes	7 Mbps 1440 x 1080: 4 hours 45 minutes
24 Mb/s 1920 x 1080: 11 hours 55 minutes	32GB SD Memory Card
17 Mb/s 1920 x 1080: 16 hours 45 minutes	24 Mbps 1920 x 1080: 2 hours 55 minutes
7 Mb/s 1440 x 1080: 38 hours 25 minutes	17 Mbps 1920 x 1080: 4 hours 10 minutes
	7 Mbps 1440 x 1080: 9 hours 35 minutes
MP4	64GB SD Memory Card
8GB SD Memory Card	24 Mbps 1920 x 1080: 5 hours 55 minutes
35 Mb/s 1920 x 1080: 30 minutes	17 Mbps 1920 x 1080: 8 hours 20 minutes
24 Mb/s 1920 x 1080: 40 minutes	7 Mbps 1440 x 1080: 19 hours 10 minutes
17 Mb/s 1920 x 1080: 1 hour
4 Mb/s 1280 x 720: 4 hours 20 minutes
3 Mb/s 640 x 360: 5 hours 40 minutes
16GB SD Memory Card
35 Mb/s 1920 x 1080: 60 minutes
24 Mb/s 1920 x 1080: 1 hour 25 minutes
17 Mb/s 1920 x 1080: 2 hours 5 minutes
4 Mb/s 1280 x 720: 8 hours 40 minutes
3 Mb/s 640 x 360: 11 hours 25 minutes
32GB SD Memory Card
35 Mb/s 1920 x 1080: 2 hours
24 Mb/s 1920 x 1080: 2 hours 55 minutes
17 Mb/s 1920 x 1080: 4 hours 10 minutes
4 Mb/s 1280 x 720: 17 hours 20 minutes
3 Mb/s 640 x 360: 22 hours 55 minutes
64GB SD Memory Card
35 Mb/s 1920 x 1080: 4 hours
24 Mb/s 1920 x 1080: 5 hours 55 minutes
17 Mb/s 1920 x 1080: 8 hours 20 minutes
4 Mb/s 1280 x 720: 34 hours 45 minutes
3 Mb/s 640 x 360: 45 hours 55 minutes
128GB SD Memory Card
35 Mb/s 1920 x 1080: 8 hours
24 Mb/s 1920 x 1080: 11 hours 55 minutes
17 Mb/s 1920 x 1080: 16 hours 45 minutes
4 Mb/s 1280 x 720: 69 hours 30 minutes
3 Mb/s 640 x 360: 91 hours 55 minutes
Yes	Yes	Simultaneous REC./Relay REC.
3.5" / 8.9 cm, OLED	3.5" (8.9 cm)	LCD Type
640 x 480	640 x 480
922,000 pixels	922,000 pixels
Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)	Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)	Adjustments
0.24" (0.61 cm) color	0.24" (0.61 cm) color	VF Type
960x540 resolution	960x540 resolution
1,560,000 pixels	1,560,000 pixels
+2.0 to -5.5	+2.0 to -5.5	Diopter Adjustment
Brightness, Contrast, Color, and Backlight	Brightness, Contrast, Color, and Backlight	Adjustments
1 x Type A	1 x Type A	HDMI Output
Embedded in HDMI output	Embedded in HDMI output	Timecode
2 x Balanced 3-pin XLR on top handle unit	2 x Balanced 3-pin XLR on top handle unit	Audio Input
1 x 3.5 mm input jack on main body	1 x 3.5 mm input jack on main body
1 x 3.5mm stereo mini-jack	1 x 3.5mm stereo mini-jack	Headphone Jack
LANC compatible	LANC compatible	Remote Terminal
1 x Mini-B USB 2.0	1 x Mini-B USB 2.0	USB
Auto, Kelvin, Daylight, Tungsten, Set A, Set B	Auto, Kelvin, Daylight, Tungsten, Set A, Set B	White Balance
White balance shift is available within Presets (-9 to +9)	White balance shift is available within Presets (-9 to +9)
2 Modes (Standard and RGB Component)	2 Modes (Standard and RGB Component)	Waveform Monitor
59.94 Hz: 0.3 lux	59.94 Hz: 0.3 lux	Minimum Subject Illumination
50 Hz: 0.25 lux	50 Hz: 0.25 lux
English, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean	English, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean	Language Support
7.4 V DC (battery pack: BP-955)	7.4 V DC (battery pack: BP-955)	Power Supply
8.4 V DC (DC IN)	8.4 V DC (DC IN)
Performance requirements	Performance requirements	Operating Temperature
32 - 104°F (0 - 40°C), 85% relative humidity	32 - 104°F (0 - 40°C), 85% relative humidity
Operating requirements:	Operating requirements:
32 - 113°F (0 - 45°C), 60% relative humidity	32 - 113°F (0 - 45°C), 60% relative humidity
Body with Thumb Rest: 5.3 x 6.7 x 5.1 in (13.5 x 17 x 12.9 cm)	Body with Thumb Rest: 5.3 x 6.7 x 5.1 in (13.5 x 17 x 12.9 cm)	Dimensions (W x H x D)
Body with Grip: 7.2 x 6.7 x 5.1 in (18.2 x 17 x 12.9 cm)	Body with Grip: 7.2 x 6.7 x 5.1 in (18.2 x 17 x 12.9 cm)
W/ Thumb Rest and handle: 5.6 x 11.1 x 9.3 in (14.2 x 28.1 x 23.6 cm)	W/ Thumb Rest and handle: 5.6 x 11.1 x 9.3 in (14.2 x 28.1 x 23.6 cm)
W/ Grip and handle: 7.2 x 11.1 x 9.3 in (18.2 x 28.1 x 23.6 cm)	W/ Grip and handle: 7.2 x 11.1 x 9.3 in (18.2 x 28.1 x 23.6 cm)
Body only: approx. 2.2 lb (1.0 kg)	Body only: approx. 2.2 lb (1.0 kg)	Weight
Grip: approx. 8.1 oz (230 g)	Grip: approx. 8.1 oz (230 g)
BP-955 Battery: 7.8 oz (220 g)	BP-955 Battery: 7.8 oz (220 g)

عدسة CN20x 50 IAS H E1/P1: a class-leading ultra-telephoto 4K cine-servo zoom

SUPERB 4K PERFORMANCE

Using Canon’s incredibly rich heritage of optical expertise, this servo-powered lens – designed for Super35mm cameras – offers outstanding 4K image quality from image centre to image edge. Available in both EF-mount and PL-mount versions it incorporates an 11-blade diaphragm to deliver softer, more attractive out-of-focus areas than 9 or 6 blade equivalents.

CLASS LEADING ULTRA-TELEPHOTO ZOOM

An unrivalled 20x zoom together with an in-built 1.5x extender deliver a class-leading focal length spanning from 50mm right up to 1500mm. Carriable and lightweight it is the ideal field lens for sport events and wildlife applications with high optical performance across the entire zoom range. It is also both weatherproof and shockproof for excellent durability in any shooting environment.

DESIGNED FOR BROADCAST SHOOTING

The CN20x50 IAS H E1/P1 employs a servo drive unit, enabling use in broadcast-style shooting environments where cine lenses are impractical. The compact design weighs only around 6.6kg and offers a familiar and intuitive operating experience. It’s ideal for tripod-based and virtual studio use. The focus ring rotation of 180o beautifully balances the accuracy required for 4K imaging with the speed needed for broadcast use.

PERFECT FOR CINEMATOGRAPHERS

The lens is also ideal for cinema-style applications. The servo drive unit is easily removed for operation as a traditional cine lens – and just as easily re-installed. No adjustment of gear positions is required, thus enabling a fluid, versatile shooting style that was previously unavailable with large sensor cameras.

The lens is fully compatible with industry-standard accessories and matte boxes as well as 0.8- and 0.5-type gear module accessories such as follow focus units. The front diameter of the lens is Φ136mm and it’s also colour-matched, for easy integration with results from the Canon EF Cinema lens range

Web site: Canon

خيرات بلادي

النكسي بعد موضة السلفي

جنون التصوير السلفي يجتاح المهوسون به والتقاط صورهم في الكثير من الاوضاع والمواقع والتفاخر بها بين الاصدقاء وغيرها بدءت موضة جديدة وهي موضة النكسي للتعرف عليها اكثر شاهد الفيديو
شاهد الفيديو وتمتع

Zoom H5

Evolved recording in more ways than one.

Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art 

podcasting, broadcasting and electronic newsgathering. 

Louder. Closer. Cleaner.

X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.

Interchangeable capsules that can be swapped out as easily as the lenses of a camera

The H5's modular design means that you can always use the best microphone for every recording environment.

The Ultimate In Image Control

Welcome to “Mid-Side” recording, a whole new level of precision in your ability to shape sound. The MSH-6 Capsule contains dual mic elements – a forward-facing, unidirectional mic (the “Mid”) and a side-facing, bi-directional mic (the “Side”). Together with the H5's onboard MS decoder, they capture a fully mono-compatible stereo image that can actually be adjusted after recording – ideal for film, video, and television projects. 

All the Pickup, Half the Length

The optional SGH-6 Shotgun Capsule adds a professional-quality, highly directional microphone to the H6, creating an ideal audio setup for film, video, live theater, and ENG (electronic newsgathering) applications. Three elements combined with digital signal processing inside the SGH-6 give you the highly directional pickup power of a conventional shotgun mic in a unit only half the size – ideal for recording dialogue and narration with no intrusive mic in the scene. 

Expanded Connectivity

Plugging in the optional EXH-6 Dual XLR/TRS Combo Capsule gives you two more inputs. This allows you to connect up to four discrete signals from external microphones, instruments, mixers, or portable music players to fully realize your audio vision. It’s all the power of a professional recording studio, right in the palm of your hand. 

Live Recording Personified

The XYH-6 capsule adds two matched high-quality unidirectional microphones to your H6 or H5. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579” = 14.6mm) of any ever available on a portable recorder. 

As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815). 

The Hardware

User Interface

In addition to standard transport controls (stop, play/pause, record, rewind and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder. 

Inputs


 The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors and electronic keyboards—even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments. 


 Outputs

There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.

Power and Storage

Just 2 AA batteries—either alkaline or rechargeable NiMH—are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96kHz WAV files

The Software

File types

The H5 can operate in two different modes—choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)—and it captures audio in the two most commonly used file formats: WAV and MP3.

The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites—allowing you to quickly and easily share your creations around the world.

* 96kHz sampling rate available in stereo mode only

Signal Processing

The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner.

Other features

But the list of H5 features doesn't end there. There's playback looping, pitch change and variable playback speed (without pitch change) to help with phrase training. A pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD.

There’s an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record—the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine!




You can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Cubase LE or WaveLab LE software, and start creating a masterpiece.

* 44.1 and 48kHz WAV files only.

** Apple Camera Connection Kit required.

Attach to a video camera

as an external microphone.

The H5 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo mic design brings additional realism and depth to HD video. By attaching the H5 to a DSLR video camera with an optional hot shoe mount (HS-1), you can create a professional video system with high-quality sound. 

HS-1 Hot Shoe Mount (option)

We now also offer a special accessory package for H5 Handy Recorder. The APH-5 package includes a windscreen (WSU-1) that provides a professional level of wind noise prevention, a remote controller (RCH-5) with REC, PLAY, STOP and other functions and an USB-type AC power adapter (AD-17). 

APH-5 H5 Accessory Pack (option)

Features at a glance

• Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera

• Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise

• Compatible with all Zoom input capsules

• Four-track simultaneous recording

• Large backlit LCD display

• Records directly to SD and SDHC cards up to 32GB

• Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats

• Two mic/line inputs with XLR/TRS combo connectors each with selectable phantom power and -20dB pad

• Analog-style gain controls for each input

• Protective "roll-bar" type covers prevent accidental movement of gain controls

• Plug-in power (2.5 volts)

• Built-in effects, including low-cut filtering, compression and limiting

• Chromatic tuner and metronome

• Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take

• MS decoding

• Multitrack to stereo internal mixdown

• Normalize, Divide and Trim editing

• Voice memo and up to 99 marks per recording

• A/B loop playback

• Variable playback speed and variable pitch without affecting playback speed

• Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function

• Mountable to DSLR or camcorder with optional HS-1 Hot Shoe Mount adapter

• Uses two standard AA alkaline or NiMH rechargeable batteries

• Over 15 hours of operation with alkaline batteries